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Back in 1994, when he was appearing at test screenings and early previews for his indie smash Pulp Fiction, Quentin Tarantino had a little bit he’d do with audiences. He’d ask how many of them had seen Reservoir Dogs, and there would be applause and cheers, and he’d smile. He’d ask how many had seen True Romance, and there would be applause and cheers, and he’d smile. And then he’d ask how many had seen The Remains of the Day, the previous year’s stately Merchant-Ivory production, and when audience members would applaud to the affirmative, he would thunder at them, “Get the fuck outta here!” Read more of this post
Jason Bailey | August 25, 2015 at 1:19 pm | Tags: Cate Blanchett, David O. Russell, Death Proof, Jackie Brown, Kill Bill, Merchant-Ivory, Pulp Fiction, Quentin Tarantino, The Hateful Eight, The Newsroom | Categories: Film | URL: http://wp.me/p2Xrlp-2f6j
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by Jason Bailey |
Back in 1994, when he was appearing at test screenings and early previews for his indie smash Pulp Fiction, Quentin Tarantino had a little bit he’d do with audiences. He’d ask how many of them had seen Reservoir Dogs, and there would be applause and cheers, and he’d smile. He’d ask how many had seen True Romance, and there would be applause and cheers, and he’d smile. And then he’d ask how many had seen The Remains of the Day, the previous year’s stately Merchant-Ivory production, and when audience members would applaud to the affirmative, he would thunder at them, “Get the fuck outta here!” Read more of this post
Jason Bailey | August 25, 2015 at 1:19 pm | Tags: Cate Blanchett, David O. Russell, Death Proof, Jackie Brown, Kill Bill, Merchant-Ivory, Pulp Fiction, Quentin Tarantino, The Hateful Eight, The Newsroom | Categories: Film | URL: http://wp.me/p2Xrlp-2f6j
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